Merv Duckwiler, that old door-to-door vacuum-tube salesman, sat down at the bar just after he shook the dust of a hot Kansas afternoon off his sandals. In his case those sandals were a pair of brown, scotch-grained bluchered wingtips with a double sole. "Damn fine shoe," he thought to himself when he bought them. "That's a damned fine shoe," the shoe salesman said to him, confirming Merv's thoughts.
"Gimme a bourbon on the rocks - a double," Merv called out to Donny the bartender. Good old Donny. Donny always set you up right. Donny always poured just one more for you when you needed it. Donny always listened. Donny never judged you, like some people.
"Hot one out there, Merv. How's sales today?" asked Donny as he obliged with the double bourbon on the rocks.
"It's rough," confessed Merv, "with that new radio store over in Wichita, people just take a drive. Buy some corn, buy their milk and booze and they buy a radio tube. Japanese crap."
"Take your medicine, chief," suggested Donny.
"Yeah. Japanese crap." Merv slowly sipped at his bourbon and felt the tension kind of slip away. He stared at the electric picture over the bar. The little lighted sign revolved or something, somehow, and a placid, tranquil scene of a northwoods lake with a canoe on its shore advertised some beer named 'Hamm's'. The picture revolved internally and you would see the shoreline of the lake pass by every minute or so. Merv voiced his approval to Donny. "You got this 'Hamm's' beer here?"
"No, sorry - ain't that something else? My brother Steve in Minnesota sent that to me just last week."
"Nice," replied Merv, and accepted a refill on his double bourbon.
The afternoon was just as hot, he realized, no matter how much bourbon was coursing through your veins. After a second and a third and then a fourth double, Merv settled up, tipped his hat to Donny and headed out into the late, late afternoon sun of Augusta, Kansas. In a few hours that sun would be going down and framing Wichita off to the west in a golden glow, and there would be some ass of a pimply-faced kid in a radio hut or a radio shack or a radio house or some damned thing selling a vacuum tube to his customer. Merv Duckwiler's customer. Merv Duckwiler's hard-won, fought-for, pandered-to customer who meant the ever-loving difference between a full belly and an aching, aching hollow when those Japanese for-crap tubes start selling off the ever-loving shelves in that radio hut or that radio shack or that radio house or some damned thing. Wichita. "You could just go shove that whole filthy city where the sun don't ever want to shine no more," a reeling, staggering vaccuum tube salesman shouted at the hot, deserted Augusta downtown.
Merv Duckwiler started feeling something welling up in his gut, and he knew those four double bourbons would see the light of day one more time. Don't scuff those wingtips, Merv, as you kneel down in the alley behind Donny's Place, kneeling and praying and vomiting and wishing you were paddling a little fiberglass canoe on the placid, tranquil lake in northern Minnesota.
Customers hate scuffed shoes on a salesman, you know.
Showing posts with label bars. Show all posts
Showing posts with label bars. Show all posts
07 April 2011
16 February 2011
Squeak, Memory
My friend the composer, whom I shall call Daniel (as it is his name – what else would I want to call him?), tipped me off to a wonderful addition to the King of Cocktails. Daniel puts orange zest into his Manhattans. I just tried it this evening. My, my...it is like a little dash of sunshine in the middle of this midwestern winter.
I got to looking through a biographical list of Lost Generation authors just two nights ago, and then I came across a reference to Vladimir Nabokov just today (it was actually just my mind recycling the lyrics to “Don't Stand So Close to Me,” by the Police, if you must know), and I realized that chronologically Nabokov would have fit in neatly with F. Scott Fitzgerald, Papa Hemingway and the other Losts, had he not been a royal pain in the ass and perhaps taken himself a bit less seriously. His 1972 assessment,
“As to Hemingway, I read him for the first time in the early 'forties, something about bells, balls and bulls, and loathed it.”
Ridiculous. Anyhow, I think a true test of artistry would show either Fitzgerald or Hemingway as the hands-down winner: who can mix the meanest round of cocktails and pen the notes to his next novel while at the same time being hit on by a room full of Spanish nurses and/or dancing the Charleston? Nabokov would be face down in his samovar. 23-skiddoo, fella.
Hand me my cocktail shaker and pen...and crank up that craa-azy Victrola.
Labels:
alcohol,
bars,
charleston,
cocktails,
Fitzgerald,
Hemingway,
Nabokov,
writing
14 February 2011
Is it Live, or is it Imitrex?
Kip. His real name. Kip had some kind of racket going on. He just wasn't on the level – there were those who maintained that he sold drugs or got his income in some other sort of illicit manner. Just what that might have been, I have no idea. Kip was firmly planted in the 1990's, but when I met him he looked like he had just rolled out of Lake Tahoe in 1960. “Badda-bing.” Only the second person I ever met who really used that phrase, as I have mentioned before. “Badda-bing,” Kip would reply whenever he needed a moment to think or whenever he wanted to respond in the affirmative. “Badda-bing,” and he would drain the last few drops of his cocktail, glance around whatever room he was in, and smile.
Badda-bing. That sly rascal Kip was always smiling at me from behind those horned-rim and silver frames, those bold print short-sleeve shirts on a hundred different summer evenings, downing gin and tonic after gin and tonic. Brylcreem when Brylcreem was definitely not hip; Brylcreem almost 20 years before I started using it myself. Brylcreem taken intravenously, perhaps, to give that swagger, that groove, that badda-bing to the man who sported such a stylish stingy fedora when the weather turned cool.
Yeah, the Kipster was a man out of time. He rolled into our lives on a wash of Sinatra and rolled out in a filthy, drunken haze of Smashing Pumpkins and Mudhoney. The last time I saw the aging hipster he was hunched over on a barstool – it may have become part of the anatomy of his nether region by that time, in fact – and he was once again draining the last few drops of his cocktail. An ashtray filled to overflowing with butts of Camel Lights showed that he had been in the same position for more than just a short while.
I got no badda-bing out of Kip, just a stare through deadened eyes. His stubbly chin was supported by a hand that had grown a permanent cigarette between the index and middle fingers – a yellowed pair of fingers that seemed to show just a hint of a tremor. Kip had forgotten who I was, I am sure, the “Hey, guy,” greeting giving that away.
I can't remember if I bought Kip a drink that evening. I think I probably did not. I think I probably saw in him what I could have become, and what a lot of my friends could have become. The 1990's were not kind to Kip, but then, Kip was not kind to himself in the 1990's. For Kip, though, it would forever be 1993 or sometime, I suppose, and the next evening would always bring the chance for a new beginning – a new beginning that never actually arrived; a new beginning that would whisper of prosperity of the sort his parents had wanted for him a long time ago, the sort of prosperity that his oldest brother had found, but the sort of prosperity that got tossed out the window to the pavement below while Kip and his classmates and barmates and bandmates drained the last few drops of a gin and tonic and a west-coast microbrew while laughing to the penetrating feedback of angry guitars from Seattle and L.A. and wherever else they needed anesthesia in that wasted, wasted time.
Here we are now, entertain us.
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