Fake it 'Til You Make it

Prinny (you remember him, I am sure) always had a dream. It was one of those typical dreams such as most people have – the dreams of being a jet fighter-pilot, or learning how to yodel, or managing to excel at barrel-jumping (more on that at a later date, I assure you). Prinny wanted to play the timpani. The kettle drums.

When you think about it long enough, you come to realize that almost all of us want to play the timpani at one time or another in our life, but very few of us ever turn that dream into reality. It would be a sad commentary on human drive and energy if it were not for the fact that so few of us are born with the physical capacity to play the timpani – only one in ten thousand are born with the malleo-wrist organ that is needed to play the kettle-drums. The malleo-wrist organ is a small organ located in the lower arm that enables an individual to play the timpani. The malleo-wrist organ looks like a small piece of putty and is shaped like a three-dimensional representation of the state of Idaho.

Prinny had a malleo-wrist organ, but he was not the sharpest scalpel on the coroner's tray, if you know what I mean (and I have every reason to believe that you do). He had wanted to play the timpani all his life, and he knew himself to be in possession of the necessary anatomy. All he lacked was the equipment. That is what set him on the path to ruin.

Living in Prinny's hometown was one Mr. Clayton Jugboy, a virtuoso timpanist (who had a particularly large and supple malleo-wrist organ, by the way). He lived in a double-wide trailer on the outskirts of Weaverton, and played first kettle with the Weaverton Symphony Orchestra. Prinny would sit outside of Jugboy's trailer in the evenings and listen to him practice the timpani into the wee hours. Prinny would imitate what he knew Jugboy's arms must be doing, wildly swinging his imaginary mallets and feeling his malleo-wrist organs pulse and swell with delight (and lots of lymph fluid, as well).

It was in the autumn of a most tragic year that Prinny took matters into his own hands and set his heart on a dark course of action. Late one night when Jugboy was fast asleep after a performance, Prinny crept up to the double-wide and jimmied the lock on the door. He quietly slipped inside and felt around in the darkness until his hands made contact with what he had come seeking. As quietly as he could he hauled it outside, being careful not to make a sound.

The next day the Weaverton papers and radio stations were abuzz with news of the theft, but the mystery of who had done such a thing was settled early in the afternoon when Prinny appeared on Main Street with the stolen property.

There he was, in broad daylight, imitating the swinging of timpani mallets, striking invisible kettle drums with invisible, imaginary mallets. He was clothed in Mr. Clayton Jugboy's tuxedo, however, and to all the world he looked like a virtuoso timpanist. As the police hauled him away, one of the officers was heard to mutter quietly under his breath, “not the sharpest scalpel on the coroner's tray.”

So I guess you could say that everyone has dreams. Some just go about achieving them in different ways. And some just jump right into living the dream before they know what's hitting them.

You all be careful now, OK?